The show captures the moment when Alladin is asked by the dervish to bring a magic lamp from a cave. From now on begins a series of adventures full of humor. The novelty of this show comes from the perfect integration of the digital technique in the play’s structure.
După: Frații GrimmRegia: Daniel StanciuScenografia: Marian SanduGrafica 3D: Radu ConstantinescuIlustrația muzicală: Vasile MantaFoto: Andrei RoșianuVârsta: Peste 3 aniDurata: 60 min Distribuția: Florin Mititelu, Jou-Jou Drăgan, Simina Constantin Figura principală a poveştii este un croitor
The main character of the tale is a poor tailor whose story begins when he was preparing to eat some bread with jam. Angry with the flies which didn’t let him eat he kills seven of them with one blow of his hand. He makes a belt describing the deed, reading „Seven at One Blow”. This belt brings him fame and an unexpected fortune. He meets a giant and challenges with him. He will be the winner. Then, he enters the Royal service, will have a lot of adventures, and, finally, he will marry the Emperor’s daughter.
The tale was included in the collection of classical stories collected by Brothers Grimm and there are a lot of versions. The technique of tricking the giants is known from ancient times. As usual, the fairy tale has an animated cartoon and then a suite for narrator, percussion and seven instruments by 1950.
BROTHERS GRIMM
They are considered „the patriarchs of the stories for children”. Jakob (b.1785) and Wilhelm (b.1786) Grimm were born in the family of a lawyer and were folklorists, linguists,philologists, doctors of law, well known all over the worls for their collection of fairy tales, publishes in 2 volumes,Amon the tales we can mention: Snow White, The Brave Little Tailor, Red Riding Hood, Cinderella, Hansel and Gretel. The tales written by Brothers Grimm enchanted our childhood, becoming starting points for various dramatizations and scripts. Brothers Grimm contributed to the formation of the German language. By writing the Book of German words as well as the first book of phonetics and phonology. “The Grimm Law” Jacob has 33 volumes and weighed 84 kg.
Our performance preserves the classical subject but uses the special techniques of animation theatre with puppets of different sizes and various means of manipulation. The new thing is coming from the use of the digital animation, specially created for this show and which is blending with actors’ manipulation, music and set design.
“The Giant Radish” is a Russian fairy tale which enchanted us by its action and characters: the giant radish, the grandfather – the old man,the old woman – the grandmother, the granddaughter, the puppy, the kitty, the mouse. The grandfather plants a radish, which grows so large that he cannot pull it up himself. And pulled it, pulled it, but nothing…The old man called the old woman to help him. She catches the old man’s waist; the old man takes the radish by the leaves and… nothing. The old woman asked her granddaughter to come and help. The girl catches her granny’s waist, the old woman holds the old man and this one the radish. And pulled it, pulled it, but the radish doesn’t snatch. The granddaughter called the dog. The puppy holds the girl’s lap, the granddaughter holds the old woman’s waist, this one catches the old man, the old man the radish. All of them pulled and pulled, but no result. Then, comes the kitty. But nothing! The asked the mouse. The mouse catches the kitty’s tail, the cat holds the dog, the puppy the girl, the girl the granny, and that one the old man. They pull the radish, once again and, finally, they succeed. Our performance is interactive, cheerful, colorful and could have as subtitle: “Where one is not power, which many hands increase”
“Unde-i unul nu-i putere, unde-s mulţi puterea creşte”. Bunicul a pus în grădiniță o ridiche; și a crescut ridichea aceea mare, mare, cât capul omului, și mai mare. Într-o zi, bunicul a încercat să smulgă ridichea din pământ; și apucînd-o de frunze, trage și trage… dar ridichea nu s-a lăsat deloc. Moșul a chemat și pe babă. Baba s-a prins de mijlocul moșneagului, moșneagul de frunzele ridichii și trag, trag… dar ridichea nu s-a smuls. A chemat baba și pe nepoțică. Nepoțica s-a prins cu amîndouă mîinile de mijlocul babei, baba de moș și moșul de ridiche. Trag, trag, trag, dar ridichea nu s-a smuls. Până unde ajunge povestea?
Povestea de la Teatrul Țăndărică împrumută elemente din conceptul filmului lui Disney, care transformă povestea lui Andersen în mod semnificativ, meditaţia asupra valorilor spirituale devenind o poveste convenţională în care eroina este răsplătită la final cu o căsnicie pământeană. Valorile fundamentale ale poveștii rămân: dragostea și spiritul de sacrificiu în numele iubirii adevărate, lupta pentru fericire și obstacolele pe care viața le scoate în cale.
Our performance is similar to the film made by Disney which transform Andersen’s story in significant way, the meditation on the spiritual values becoming a conventional story where at the end the heroine is rewarded with an earthly marriage. The Andresen’s mermaid is lured at the surface of the sea by two complementary but also separated impulses: the romantic love for a handsome prince and the moral desire to touch immortality. The little mermaid suffers when the prince got married with another girl who thought was his saver. Not being a mermaid, our heroine refuses to kill the prince scarifying her love and she remains for the rest of her life as a prisoner of the water.
De ce-a rămas ursul fără coadă? Când pofta și credulitatea ursului se întâlnesc cu șiretenia și viclenia vulpii, se lasă cu învățăminte. Spectacolul este interactiv, construit pe dinamica și morala poveștii originale.
There once was a fox that was not any better than other cunning foxes. She always seeked to get food without hassle. One day, the fox picked off the road a lot of fish that fell from a fisherman’s filled cart, and when the bear requested some fish, the fox lied, telling him that she had caught it. Then she taught him what to do to catch some himself. She told him to go to the puddle in the woods, to put his tail in the water and stay there until daylight. When the bear pulled with all his might, he caught nothing, but his broken tail, which remained trapped in the ice. They say that’s when the bear lost his tail. The performance from Ţăndărică is dynamic, interactive and has a moral: do not trust people you don’t know, because “kindness is forgotten in the face of greed”.
“Omul de zăpadă care voia să întâlnească soarele” este piesa cu care cel mai jucat dramaturg român – Matei Vișniec – debutează pe scena Teatrului de Animație Țăndărică. Matei Vișniec, aflat în postura inedită de dramaturg pentru copii, ne propune un scenariu sensibil, o poveste despre atingerea imposibilului și ce poate rămâne în urmă după o faptă bună.
“Vei plana timp de nouă luni pe deasupra câmpiei şi a pădurii, pe deasupra norilor şi a vîntului… Vei fi un vis viu, un vis cuibărit în gustul vieţii şi în plăcerea de a trăi a copiilor… Şi peste nouă luni, când va veni din nou iarna, vei redeveni om de zăpadă, cel mai bun prieten hiberal al copiilor…” (fragment din text).
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