Assembly of The Birds

Adunarea pasarilor foto Mihai Stoica 1

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By Farid Uddin Attar

Script: Cristian Pepino, after an idea by  Michaela Tonitza Iordache

Directed by: Cristian Pepino

Scenography: Cristian Pepino

Costumes: Cristina Pepino

Soundtrack: Gabriel Apostol

Puppet manipulation: Ioan Brancu

Stage movement: Liliana Gavrilescu

Vocal training: Decebal Marin

Photo: Andrei Roșianu

Audience: Adults

60min, nonverbal

Cast: Ioan Brancu, Gabriel Apostol, Liliana Gavrilescu, Decebal Marin,Geo Dinescu, Marin Fagu, Andreea Ionescu, Cristian Mitescu, Roxana Vişan, Cristina Țane / Ana Maria Bălescu

 [/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_gallery type=”flexslider_slide” interval=”5″ images=”6520,6521,6522,6523,6524,6525,6526,6527″ img_size=”full”][/vc_column_inner][/vc_row_inner][vc_separator css=”.vc_custom_1507625064856{margin-top: 20px !important;margin-bottom: 20px !important;}”][vc_column_text el_class=”despretext”]Compared to the original poem (or the dramatization of Peter Brook and Jean-Claude Carriere in 1979), the author of this had taken into account primarily the value and the human universal dimension of thinking of the Persian poet Farid Uddin Attar, of the Oriental philosophy, of the advanced character of knowledge, in general, and of self-knowledge in particular. The long and difficult road of “initiation” from Assembly of the birds, of the big journey, is deviated from Attar, from the other Oriental and writers, from the “sky”, becoming the demonstration of truth on Earth, of truth inside man, guilty and responsible for his destiny. This fundamental aspect of Attar’s literature, this detachment from religion, this wide humanistic opening of his thinking, determined us to choose the transportation that his uncle made him opt for the transposition of the text, considering it a cultural, poetical, philosophical act. On the other hand, he kept the original oriental beauty of thinking, but he is making steps afar from the fanaticism of monotheistic beliefs, especially of the Islam, in favor of rationalism and a true sense for the real life. The “initiation” becomes a fact of knowledge, a path of conscience to itself, the sole purpose of any genuine social frames

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